Thursday, August 13, 2026

Tree everlasting, bar quilt in red and white, quilt top completed


Tree Everlasting, bar quilt in red and white
80 by 68 1/2 inches
Top completed 2026

Reds are scraps.
White is mainly Kona Snow but I threw in a few other whites with red here and there.

I've always loved the traditional Tree Everlasting pattern. 
For the past few years, as I was cutting red and white fabrics, I would make sure to get a few triangles from the scraps. I knew I would get to this quilt eventually.
I am confused in how to answer the common question, "How long did it take you to make this quilt?" Do I count just time at the machine? Do I include cutting time? Pressing time? Years of planning and sketching and collecting fabrics? The time it is away at the quilter and my binding time? 
My usual answer is I am working on several quilts all the time and each is usually finished within a year or two.
But, I am binding a quilt now that I finished piecing 2 years ago and worked on for at least 2 years before that, so that answer doesn't always suffice.

Cutting for the triangles squares that finish 2 inches, measure 2 1/2 inches I use the Easy Angle or Bonnie Hunter's Triangle Tool and cut from 2 1/2 inch strips.

The red tree centers are cut from 4 1/2 inch strips
I cut reds into 8 1/2 and 16 1/2 inch lengths
Make six tree centers to finish 80 inches
Press all seams north

By having the centers cut at this length, the triangles will nest into the seams at intervals to meet up with the branches and will help keep the piecing true in assembly.
I staggered the longer pieces in different areas of the bars so this would visually break up a consistant line between the pieces across the quilt.
The branches are made from 2 1/2 inch measured (2 inches finishted) half square triangle. I use the EZ angle or Bonnie Hunters triangle ruler to make these from 2 1/2 cut strips of fabric.

Sew the triangle squares into pairs, then into 4s, then into 8s.
There is a different placement for these for the right and left side of the tree.
Wait with pressing until they are at the 8s stage, then press south.
Sew branches to either side of the tree centers
Press towards the centers
I made six trees

WHITE BARS*
I used Kona Snow for these and cut them to size along the selvedge edge.
Cut five white inner bars 80 1/2 inches by 3 inches
Sew between all trees
Press towards the white bars
Cut two white outer bars 80 1/2 by 4 inches for the sides of the quilt
Press towards the white bars
(*note--these directions are mathmatical lengths. In making pieced sections meet with un-pieced sections, humility must come in. Though my white strips mathmaticaly would be 80 1/2 inches cut, my actual measurement came to 79 inches cut after measuring my 6 trees and coming up with an average number.)

My directions for a traditional pattern.
Use at your pleasure.

Monday, August 10, 2026

fancy four patch, a sew-along with Taryn Faulkner, top completed

Fancy Four Patch
86 by 74 inches
Top completed 2026

A sew-along! I love online sew-alongs and it has been a while since I've participated in one.

Taryn Faulkner who Instagrams at @reproquiltlover announced her Fancy Four-patch sew-along HERE.  She based it on a delightfully scrappy 1877 quilt by Harriet Matilda Wines. How fun to think Harriet's quilt is influencing dozens and dozens of quilts!
If you decide to make this I encourage you to pay the fee for the pattern. Taryn has many insights into how the scraps are used in the original. Let us support pattern designers!

Taryn's instructions are based on the tiny blocks of Harriet's original--the triangle squares finish 3/4 inch.
As I've done with previous vintage patterns, I scaled it up to my comfort zone.
A 4 1/2 inch block is cute.
A 6 inch block is cute enough.

I used red scraps for the darks and a variety of lights, mostly white with red, but also other colors with white as I think they gave interest.
There is one block where the triangles are oriented backwards--I kept it in.

The setting fabric is a delightful alphabet by Alison Glass by Andover Fabrics, number 1221, 2024.
I really look forward to getting this one back from the quilter!

Sunday, August 09, 2026

binding for late summer into fall: 16-patch bar quilt, summer flicker, protest quilt


Red and White 16-patch Bar Quilt
top compoleted 2025, quilt completed 2026
66 by 51 inches
Quilted by Sue DiVarco
Details HERE
Summer Flicker
72 by 63 inches
top completed 2025, quilt completed 2026
Details HERE
quilted by Sue DiVarco
from a design by Julia Davis
Protest Quilt: Resistance & Resilience
quilt completed 2026
about 31 by 38 inches
I quilted this one myself
details HERE

Tuesday, June 09, 2026

Chocolate City Quilters

It was my pleasure to be with the Chocolate City Quilters of Burlington, Wisconsin last evening.
How good it is to see thriving guilds filled with thoughtful quilters out there!

Wednesday, May 20, 2026

binding work for late spring into summer: Tulips, Summer Stars, Red Aggies, Umbrellas

Tulips 
83 by 65 inches
quilt completed 2026
from a pattern by Bess Casey Wilke of Side Lake Stitch
quilted by Sue DiVarco
details HERE

Summer Stars
81 by 67 inches
finished 2026
From a pattern by Julia Davis
quilted by Sue DiVarco
details HERE

Red Aggies Log Cabin
90 1/2 by 75 1/2 inches
finished 2026
from a pattern by Kathy Hamada
quilted by Sue DiVarco
Details HERE

Umbrellas 
71 by 62 inches
quilt finished 2026
block is from a pattern by Lindsey at Pen + Paper
quilted by Sue DiVarco
details HERE

Thursday, April 23, 2026

lectures! workshops!

I have had several lectures and workshops lately. I did my first full day zoom workshop that I really enjoyed.
So good to connect with enthusiastic quilters.

Wednesday, April 08, 2026

binding work the first months of 2026

Sunflowers
Details HERE
Red and White Zip
Details HERE
Red and White Jack and Jill
Details HERE
3 Tatami Mat, made with scrap coins
Details HERE
I've spend most Sunday evenings dedicated to handwork of bindings.
Most of my quilting is done beautifully by Sue Divarco and I love when she has a stack ready for me for this contemplative time.