red and white 16-patch bar quilt, top completed

 
Red and White 16-Patch Bar Quilt
66 by 51 inches
top completed 2025

I love a 16 patch. It is a block that lends itself to simple piecing and the mosaic can be varied many ways. This is another of many variations from my sketchbook. 
I've used a stripie/bar setting in different proportions before with Glacier Bay linked HERE.

My reds 2 inch cut bin was full so I put my focus there. There are plenty remaining in that bin and I have plans for them.

Cutting:
White: 352 2-inch squares--I used Kona Snow
Red scraps: 1144 2-inch squares
(as always, my counts may be a bit off)

Piecing:
The basic block is a 16 patch made in two colorations. The photo arrows show pressing directions.

4 piece strips--note they are pressed south--a bit hard to see those arrows.
Then half blocks, full blocks, and units pressed west. Directions below.

Red and white 16 patch
Need 352 red squares and 352 white squares
Make 176 strips of four pieces
Pair up two strips, rotating one so seams nest, making 88 half blocks.
Make sure you feed the strips of 4 into the machine with a white square at the top, with the pressing of the top strip south and the bottom strip north.
Make 44 blocks
Pair these into 22 units

All reds 16 patch
Need 792 red squares
Make 198 strips of four pieces
Pair up two strips, rotaing one so seams nest.
Make sure you feed the strips of 4 into the machine with the pressing of the top strip south and the bottom strip north, making 99 half blocks
(as always, my numbers may be off)
Make 33 blocks and leave 33 half blocks
Join one full block and one half block into a unit.

The red and white units are two 16 patches.
The all reds units are made with one and one half 16 patches

Lay out the units into three columns of all reds and two columns of red and white.
ROTATE every other block going down the columns.
Watch the pressing--sometimes I lay out the quilt upside down so I can easily see the pressing plan in laying out blocks. 
There are 11 units in each column.

Sew units together into columns and press horizontal seams in red and white columns north and all reds coulmns south. 
Sew columns together.
Everything nests.

My design, use at your pleasure.

Got two dalmation heads in this quilt!

Love this Jan Mott fabric for Henry Glass for the backing

Log cabin Red Aggies, a design by Kathy Hamada, top completed

Red Aggies
90 1/2 by 75 1/2 inches
top competed 2025

I call it Red Aggies as it reminds me of some of my favorite marbles in my childnood.
A friend gave me a stack of magazines and this great design by Kathy Hamada stood out on the cover of the Spring/Summer 2014 Better Homes and Gardens Quilt Sampler. Her design is called Log Cabin Beads.
It has a great self-border with the half circles on the sides. And the staggered beads are striking.
Kathy's quilt is multi-colored. I made it in red scraps and Kona Snow for the white
  

It has been a while since I've made a log cabin, and there is a wonderful mindless sewing aspect that can be just what I want when the news is troubling.
I usually have another active project going into the machine while I piece log cabin blocks to take breaks from the logs.

Some log cabin hints:
-I have twisted seams where necessary to nest seams. I am fine with this.
-Match up top and bottom of strip to the block. I usually piece with the block on top of the strip.
If the strip is a bit longer for a block, it eases in if you put into machine with the strip below--remember the classic "baggy bottom" machine sewing advice in easing fabrics while piecing.
-Inspect the back of each seam when you cut blocks apart at each stage. The mindless sewing sometimes lends itself to wandering a bit and I find the occasional need for re-sewing as the seam allowance drifts off too much on the back.
-Rarely will the rounds be perfect. I can live with things being off a bit and the blocks still sew together fine
-Sewing into 12 rows and onto a mother-ship can cause stress on the seams. Also, long seams irritate me.
Instead I sew into sub-units, then rows. This leaves just two long seams for the top.

I love this quilt.

red and white umbrellas--made with block pattern by Lindsey from Pen + Paper Patterns, top completed

Those ducks!!

Umbrellas
about 71 by 62 inches
top completed 2025
36 blocks set 6 by 6
Block finishes 7 1/2 by 6 inches

Made using the well written block pattern by Lindsey from Pen + Paper Patterns Chance of Rain available HERE. I used Kona Snow for the constant and a different red print for each umbrella. I used the Doug Leko mini folded corners ruler for all the flip triangles.

I eliminating the frames from the block pattern and instead used L sashing, a technique I describe HERE and have the specifics for this quilt below.

L-sashing details:
Put first sashing on the edge with the most going on, so for this block, that is the bottom of the umbrella handle. Sew with block on top so you have control over all those tiny pressed open seams. Press towards the sashing of these blocks
All sashing is cut from 2 inch strips.

Bottoms of most blocks:
Cut 6 1/2 inches
Sew onto bottom of all blocks except for those in the bottom row.
Press to the sashing of these blocks

Sides of many block:
Cut 9 1/2 inches
Side sashes on the right sides of all but the last blocks of the top 5 rows rows and the entire final row.
Do not press yet

Sides of bottom row:
Cut 8 inches
Bottom row side sashes between all blocks, none on the left of the first or right of the last blocks
Do not press yet.

Lay out quilt and sew into rows. Press odd rows left and even rows right.
Press rows away from the tops of the umbrellas.
Everything will nest.

I then added 9 1/2 inch cut wide borders to the sides and finally to the top and bottom. My wonderful long arm quilter Sue DiVarco will do her magic in those wide borders.

I have been so drawn to make object blocks. I started with the sewing machines all in solids several years ago. Since November I've made red and white object quilts--teacups, scottie dogs, chickens, sunflowers, and tulips, and now, umbrellas.
When the news is so troubling, I find I can think while doing fiddly work, but I am not overwhelmed. 

In memory of our childhood dalmation, Ginger

red and white Zip: directions, top completed

Red and White Zip
80 by 66 inches
top completed 2025
white is Kona Snow

Back in 2016 I designed the Zip Block that I love.
Block details HERE, quilt is shown HERE.
This current variation has a similar effect but a very different construction.
NOTE: numbers may be off but measurements are correct.

Cutting
Red: 560 rectangles 2 1/2 by 4 1/2 inches, 40 squares cut 2 1/2 inches
White: 160 squares cut 2 1/2 inches

Make segments
Make 160 A: three rectangles and one white square
and
Make 40 B: two rectangles and one red square
It will make later pressing easier if you press each segment towards the end with the square now.

Make 40 rows: (pictured below)
Each row is made from 
four segments of three rectangles and one white square
AND
one segment of 2 rectangles and one red square
Press each row towards the end with the red square

Make 20 pairs: (pictured below)
Take two rows, rotate one, and sew into pairs, keeping the row starting with the red square at the top of each pair.
Press the seam down

Make 10 panels: (pictured below)
Take two pairs and sew together into a panel of four rows, keeping the pressing in same direction.
Again, press seam down

Lay out panels and sew together.

Press all horizontal seams down
All seams will nest along the zip white squares

My design, use at your pleasure.
It can be easily adapted to making it wider or longer, or with a horizontal orientation.

backing is Contempo's Gathering by Benartex

20 years of blogging

My first post included this photograph and explaination:
Klein meisje is Dutch for little girl--what my beloved grandfather called his 12 granddaughters because, I fear, it was easier than trying to remember our names.
I continue to take pleasure in sharing my quilting life.
Thank you for being with me!
Lynn

chickens, "Henny and her friends" top completed

Henny and her friends
Chickens
62 by 58 inches
Top completed 2025

My sisters and I are naming the chickens for my mom's childhood friends.

I finished this top in June and just realized I hadn't posted about it.
Read HERE about how I constructed the block.
I used Kona Rich Red for the constant and will also bind with it.

I adapted and revised the chickens from a block shown in the Special Spring 2013 edition of Quiltmania Hen Party designed by Kim Gaddy of Buttons and Bees. I cannot find an active link to the designer. Quiltmania is defunct, old copies of the issue are available online.

My block finishes 12 by 14 inches. I added a sprocket sashing of 1 1/2 inch cut squares.

This quilt will go to my sister Beth.

The back is made from chicken feed sacks of my mother. The photo shows the back in progress--there is another print added. I will photograph the back when it returns from the quilter.

Block revisions and set are mine--use at your pleasure.

tulips! Using pattern by Bess Casey Wilke of Side Lake Stitch: top completed

Tulips
top completed 2025
83 by 65 inches

After the sunflowers, I had to make tulips.
Bess Casey Wilke of Side Lake Stitch has a great tulip pattern Flower Block HERE. 
I modified piecing a bit by using a goose for the center tip of the tulip and by using the Doug Leko tool for the leaves. And I widened the frame a bit to 2 inches cut.
LOVE THIS!!
Get her delightful pattern and read about her natural dye work!

I used Kona Snow for the constant and made each block with a different red print.

Backing is Farm Family Red by Marshall Dry Goods Co.

LOVE this beaters fabric of Robert Kaufman